Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Dec 4, 2013 | Sotheby's | London | Old Master & British Paintings Evening Sale including Three Victorian Masterpieces from the Leverhulme Collection | 41 | $****** - ****** | Venice, A View Of The Piazza San Marco With The Uscita In Pozzetta Of Doge Pietro Grimani On 30 June 1741 |
paintings
56.5 x 113 cm (22.24 x 44.49 in)
oil on canvas
Acquired by James Harris, M.P. (1709-1780) in Venice for 20 guineas, and imported for him from Venice by the dealer William Hayter of London in March 1743, and thereafter at The Close, Salisbury, Wiltshire and The Manor House, Great Durnford, Wiltshire
His son Sir James Harris, GCB, PC (1746-1820) created Baron Malmesbury in 1788 and Viscount Fitzharris and 1st Earl of Malmesbury in 1800
Thence by direct descent.
James Harris, An Account of my Pictures, private Ms. begun 1739, p. 7; G. Delogu, Pittori veneti minori del Settecento, Venice 1930, p. 111; R. Toledano, Michele Marieschi, l'opera completa, Milan 1988, p. 64. no. V.3.1; D. Succi, Marieschi tra Canaletto e Guardi, exhibition catalogue, Turin 1989, p. 149, reproduced p. 150, figs. 170-71; M. Manzelli, Michele Marieschi e il suo alter-ego Francesco Albotto, Venice 1991, p. 50, cat. no. M.3.1, and p. 119, reproduced in colour M.3.1; R. Toledano, Michele Marieschi, Catalogo ragionato, Milan 1995, p. 54, cat. no. V.3.h, reproduced (with figures by Gian Antonio Guardi); F. Montecuccoli degli Erri and F. Pedrocco, Michele Marieschi, la vita, l'ambiente, l'opera, Milan 1999, p. 388, cat. no. 160, reproduced (with figures by Gian Antonio Guardi);;; B. A. Kowalczyck, 'Six vues de Venise provenant d'une saisie révolutionnaire. Nouvelles attributions à Michele Marieschi et Francesco Albotto', in La Revue des Musées de France, October 2013, no. 4, pp. 57-59.
